Shannon Gibney was adopted as an infant in 1975, and grew up in a multiracial family. From her bio: “When she was 15, her father gave her James Baldwin’s Tell Me How Long the Train’s Been Gone, a book that changed her life and made her see the possibilities of the written word. The novel took a long, difficult look at relations between Blacks and Whites, the poor and the rich, gay and straight people, and fused searing honesty with metaphorical beauty. After this experience, Shannon knew that she needed to read everything Baldwin had ever written, and also that she wanted to emulate his strategy of telling the most dangerous, and therefore liberating kind of truth, through writing.” Gibney’s debut YA novel, SEE NO COLOR, was called “an exceptionally accomplished debut” by Kirkus, and School Library Journal points out that “without lecturing readers, Gibney clearly elucidates many issues…
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As a child, Tom Feelings’ aunt, a soldier of the 1960s Black Arts Movement, supplied him with a steady stream of books written by Black authors that featured characters that looked like him. The hope was that these books would end her nephew’s fixation with Christopher Robin (of Winnie The Pooh), and other white characters in all of the books he loved. She wanted Feelings to see positive images of Black people. She wanted him to love himself. In studying Feeling’s work as an adult, it quickly becomes apparent that his aunt’s plan worked.
Feelings was born in Brooklyn, NY, and studied at the Cartoonists and Illustrators School in New York and later at the School of Visual Arts. While there, he noticed that all of the artists being studied in school, the so-called great masters, were white. Feelings asked his professor why. He was told that African art was seen as “primitive.” Feelings refused to accept this notion and set out to create wonderful art that celebrated and…
Photo Credit: Robin Cooper 