Here at The Brown Bookshelf, it’s a special treat to share the work of those who make their mark in both the traditional and independent publishing worlds. This year we’re delighted to shine a light on Sharee Miller’s work. Her vibrant, colorful style is immediately eye-catching, and the joyfulness in her work is contagious. Welcome to The Brown Bookshelf, Sharee! We’re glad to have you.
The Journey
I began drawing and writing in elementary school. I had so many stories I wanted to share, so much to the point that before I could even write I would give my mom a pen and paper and dictate my stories to her. I took every art class available to a young girl in St. Thomas and though I got older I always loved illustrated stories. This took the form of comic books I created while in Jr. High, but in High…
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When I met my husband—who I usually refer to online as the Transboy—I was a teen who’d only recently come out. A few months before, I had, as my best friend describes it, been so deep in the closet I was in Narnia. And with that depth of denial came a lot of homophobic thoughts, some of which, I’m sad to say, became words. When I met the Transboy, I was still shaking out of that, the hangover of my own self-loathing. I now recognize the self-hating place my homophobia had come from, but the habit, the instinct to make jokes every time I remembered I was falling in love with a boy with a female body, trailed me.
Adapting a book by Walter Dean Myers – award-winning children’s book creator and former national ambassador for young people’s literature – is a tough job. Monster, his acclaimed novel, won the first ever Michael L. Printz Award and countless other honors. But Guy A. Sims is used to challenges. In 1990, he, his brother Dawud Anyabwile and Brian McGee debuted
Review by Cecilia Cackley